behind the screen (behindthescreen.xm)
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(8 / 10)
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This tune is really pretty good; it's got a good mood and strong enough melody. There are times when the chords don't quite line up like one might expect; It's probably intentional by the artist, but I'd recommend a closer look around, for example, the 3/4 mark of pattern 18. The samples sound pretty good as they're used here, though the drums might be better if they were a little stronger. The part of the tune where everything kind of drops out (into a half-speed kind of setting) seems odd; it could use better transitions, especially going back into the tune. There are some great things going on in this tune, and it's a really interesting mix. Technically, this tune looks pretty good. The tracking has been done quite well, and there is a solid understanding of the effects and their use. I almost question the nearly constant use of panning in some parts; sometimes the panning moves too quickly. The samples used are pretty good, though a few could be better. However, they all are well used in the song. Some loop points could have been chosen better, though. Overall, this is a good reggae/synth hybrid with an interesting sound and good tracking.
Internal Texts *
begun april 22 2003 - my mom's birthday ended april 26 2003
Behind The Screen (C) 2003 Carl Gustaf Liebe ---------------------- Finished april 26 2003 ---------------------- Contact me at gus_hjemliebe.dk and be sure to check out m site at www.hjemliebe. for more xm-mods ---------------------- No greetings at this p signed Carl Gustaf Liebe Cath_wheel_bassdrum.wa Faze Strings.wav Cath_wheel_snare.wav bass.wav loopwhatever.wav backgroundthing.wav quick trumpet.wav background_sound2.wav background_sound3.wav hihat_open_long.wav piano.wav loopysound.wav funnychipsound.wav reggae_guit_with_bass. Timbales_2.wav Cath_wheel_bassdrum_tr flute.wav soundwithecho.wav sm.wav sound.wav
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This tune is one of my all time favourites because it evokes feelings (that only certain genres/tunes can) from a time of youth, 80s computers, and the scene.