saw3.xi
breath_2.xi
qs6tom.xi
real_09.xi
tinbox_1.xi
tinbox_2.xi
crash1.xi
ensembl1.xi
ensembl2.xi
ensembl3.xi
ensembl4.xi
pizzica1.xi
pizzica2.xi
softob1b.xi
x3clari2.xi
x3clari1.xi
x3horn.xi
sytrump1.xi
sytrump2.xi
angel2_1.xi
angel2_2.xi
angel2_3.xi
All samples from
NO.1 Mazzive injection
Composed and tracked
by
cRim // Lemonride
(C) 2002-01-04
20 hours work?=3min
Part 1"call for hope"
Part 2"shadows"
Part 3"into the light"
Part 4"dear saviour"
-- saw3.xi --
size: 145 K
loop: none
type: nature fx
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- breath_2.xi --
size: 60 K
loop: none
type: snare wet
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- qs6tom.xi --
size: 50 K
loop: none
type: tom
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- real_01.xi --
size: 30 K
loop: none
type: snare drum
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- tinbox_1.xi --
size: 47 K
loop: none
type: metal perc
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- tinbox_2.xi --
size: 34 K
loop: none
type: metal perc
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- crash1.xi --
size: 116 K
loop: none
type: hihat
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- ensembl1.xi --
size: 388 K
loop: forward
type: string
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- ensembl2.xi --
size: 268 K
loop: forward
type: string
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- ensembl3.xi --
size: 276 K
loop: forward
type: string
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- ensembl4.xi --
size: 184 K
loop: forward
type: string
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- pizzica1.xi --
size: 47 K
loop: none
type: string
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- pizzica2.xi --
size: 42 K
loop: none
type: string
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- softob1b.xi --
size: 16 K
loop: forward
type: woodwind
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- x3clari2.xi --
size: 35 K
loop: forward
type: woodwind
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- x3clari1.xi --
size: 55 K
loop: forward
type: woodwind
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- x3horn.xi --
size: 34 K
loop: forward
type: brass
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- sytrump1.xi --
size: 16 K
loop: forward
type: brass
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- sytrump2.xi --
size: 13 K
loop: forward
type: brass
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- angel2_1.xi --
size: 119 K
loop: none
type: bell-like
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- angel2_2.xi --
size: 115 K
loop: none
type: bell-like
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- angel2_3.xi --
size: 102 K
loop: none
type: bell-like
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
The Good Stuff
License
Registered Artist(s):
Ratings
(8 / 10)
(Unrated)
People who like this tune
Your Comments
Internal Texts *
This track has a folky modd to it, more due to the samples and instruments used. but allso from the compossition as a whole. It had some nice clean acordian shapes. it starst with a good quality folk arrangment and moves on into a game tune, but not chip sounds! In the background of a game, this would not be a boring tune, and quite fitting, as it moves on from one point and dosn't dragg iitself in the one mode. allthough it IS a little short for a good long running game. all aside, it is allso a good track for just simple listening too. I do feel it would do Very well with some exta acompanyments, for example wind instruments/flute, some deeper frequencies such as a bassy hum, timpany and crashes would complete this track further. allthough the simplicity of it is good enough in its self.. The tunes here are definatley emotionally driven and are touching.. The track effects are Just right! major swapping of the tempo/speed to allow effects and samples to show themselfs correctley. it had pattern breaks and volume controll. no lowd samples, and no track arrangments were wasted. so i would guess this artist is professional. i do think it could have made good use of some better panning though. and some clever reverb formed from volume controll and overlapping :)allso that bassy sample needs upping or swapping for a more fitting one. Overall: for the genre, it is a good quality and well formed track...