y.o.u. (mus97.xm)

            y.o.u.
 (your own universe)
8bits
26th June 1999
24th July 1999

..hum... feels so good
...i like this one!
by .breakthru..
breakthru_fcmail.com

of
Advanced
Rhythm
Technologies
(art-music.org)
visit my homepage:
listen.to/breakthru

Hi again! This is my
first decent release
since Checksum Error

Critics are welcome.
The comment of the
day :)

"Expensive hardware,
  16bit 44khz samples
  make me feel like
  they're only details
  in tracked music.
  I've had lots of 'em
  and always thought
  that they were
  responsible of the
  low sound quality
  of my mods but the
  truth is that it
  wasn't the samples'.
  There are samples
  I used in 97,98,99
  and in every year
  they didn't sound
  the same. I think
  that technic is the
  most important thing
  to have a good
  sound quality when
  it comes to tracking
  I didn't notice it
  at first but volume
  mixing and panning
  can make a song
  a good song or a
  bad song. For
  example try to
  compete in an 1hour
  compo. Sometimes
  the sample pack
  samples are over
  7 years and seem
  to sound very bad.
  This happened to
  to me in my first 1h
  compo... And I was
  amazed how the
  other trackers used
  to make them sound
  different from the
  awful sound they are
  Why am I saying this
  after all everyone
  knows about this,
  no? I thought I knew
  it already..."

About compos...
If you read what was
written in "Under
Another Sky" you
might have noticed
that I don't like many
net compos. I thought
I had seen the most
unfair (now closed)
but it seems that
there is worse! Many
competitors enter it
but I think it is one
of the worst ever.
The judge(s?) probably
do(es)n't  know what
he/they're doing...
The first thing I've
noticed is that they
tend to mix up things
so that the "skill"
rating seems to be
a "commercial factor"
...
I don't care much
about it but it is
not a good thing for
the (scene) musicians
who enter this kind
of compo.
...
Well it seems that
I've written lots of
useless stuff as ever.
.stop.

oops, i lied for the
stop... :)
Lenght: 6:28


















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By Ryan Cramer
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