~Urban Chaos~ (a--urban.it)
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--------------------------------------------------------------------------- ~U R B A N C H A O S~ (Composed by: AQUALIFE 24-25.11.2001) --------------------------------------------------------------------------- Yeah, it's me! It's great to keep a while of composing techno...Metal is different and harder to compose, but I indeed enjoy for it. Thanx for downloading this track, see you in my next. Stay alive in this cruel world!!! -AQUALIFE- 25.11.2001 <TRACK INFO> ----------------------------------------- Composed > 24-25.11.2001 by Aqualife Releasing date> December *2001* Lenght > 3.25 Patterns > 30 Channels > 23 Samples > 16 ----------------------------------------- $ ##### $ # # ####### $ # # $ # # ###### # # ###### # # # # # $ # # # # # ####### ##### # # # ####### # # # # # # # ####### ######### ######## #### ######## # # # ---------------------------------------------------------------------------
bass.guit cym1 hihat1 urban.str lead.guit1 lead.guit2 acous.guit1 acous.guit2 acous.guit3 high.str back.guit hihat2 hihat3 ------------------------- -=Press shift + F9=- ------------------------- cym2 basedrum snare
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This is a metal song composed by an artist who usually comopses techno (as stated in the song comments), and it shows. The only thing that qualifies this song as a metal song is the use of distorted guitars and heavy drums. Most of the song is based on a constant string progression which never variates. The only thing that does change is the rhythm section, but that does not make the song more variated in itself. Some more different lead melodies, different chords and possibly key changes would greatly improve the musical quality. The samples are well chosen and serve the purpose, although their loops could be improved. The artist tracks the same notes in two channels to double the volume of the notes played - something that should really be avoided. The samples are panned well enough, though. The effects used are redundant at best; there is really no need to repeat a set panning effect throughout the entire channel in the pattern once it had been set already. This track gets monotone very quickly, and to improve that, the author would need to variate the lead more.