BadLiZ - War Cries
22.3.2002
Kurikka, Finland
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Greetz:
Christofori =)
D-Beat
Crimson-King
_Retro
BardCat
Gargoyle0
Warhawk
^DragonBlood^
"NessieBee" =)
Minomus
"Dream-On-Section" =)
And lots of more friends..
--------------------------
Thank you very much D-B
for review which ya made =
And thanks Christo for
that one song of mine whic
you made your own way... =
It was c00l after that.
I just wish that you
make more those your
"own-versions" =P
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O.K:
That was all...
I wish that you like this
It got 7 hours to made it
--------------------------
BTW:
This is greater version
of this song.
If YOU wanna mail for me:
It's now: Badliz_hotmail.c
I'll appreciate that if yo
send some "good" mails for
make some good songs, part
*Life goes on*
The Good Stuff
License
Registered Artist(s):
Ratings
(6 / 10)
(Unrated)
People who like this tune
Your Comments
Internal Texts *
This was certainly interesting, to say the least. While it's certainly not a bad song, it could have been much, much better. It starts out with one theme, and continues with this theme until the end, with little variation. Unfortunately, this doesn't work very well with orchestral songs, which usually call for a bit more variety and changes of key and tempo. The theme it DOES have isn't half bad, but after a few minutes of repetition, it begins to get old. The song has a good idea, but plenty of unlocked potential. The song is waaaaaaaaaay too loud. I noticed that almost all of the channels were blaring at 64. I noticed quite a few unconventional chords. At points there would be a D and a D# playing at the same time, which doesn't sound very good to the ear (however, the author may have been trying to evoke a sense of chaos, judging by the title and style of music). The woodwind instrument that came in at order 25 was quite flat, and could use some tuning (incidentally, using the Gxx effect to slide to a specific note would be much better than using the Fxx effect). Also, the alternating volume effect on instrument 6 (ie 32 to 00 to 44 to 00 to 56 to 00) was used quite frequently, but for orchestral tunes, this makes the strings sound too fake.