"THE UNAVOIDED"
(C) UNLIMITED MUSIC INC. 1996-1999
>> i.n.f.o.r.m.a.t.i.o.n
Written 29th May 1999 by Jeni Osternik (aka Reality)
Should be played using IT - Speed 6, 138 to 143bpm
All other players will play at 143bpm
>> s.a.m.p.l.e.s
Taken from some of my tunes, Mellow-D, Elwood, Pozor,
Emerge and others, see sample filenames.
>> s.t.u.f.f
Deticated to many many people who inspired me to track
this one. a brief listing-
* Raz Liveyatan * Brit Koretzki * Einat Rokah
* Dynamix * Eli Podolsky * Orel Arviv
* Deep Purple * Antiloop * Oren Attar
* Roland D50
http://members.xoom.com/ulmmusic w.e.b <<
reality_mailandnews.com e.m.a.i.l <<
[Specs]
|
1.Category|Dream
2. Speed|6,143bpm
3. playing|IT only
4. length|4:08 min
5. date|29 may 99
|
[End]
Sh+F9 for info
THE UNAVOIDED
(C) UNLIMITED 1999
ALL RIGHTS RESERVED
F4 for tech spec
Sh+F9 for info
The Good Stuff
License
Ratings
(7 / 10)
(Unrated)
People who like this tune
Your Comments
Internal Texts *
Musically, this one is very nice. While the main chord progression and underlying theme never change, the author does enough with the patterns to keep the song interesting throughout the four minutes that this song runs. I really like what was done with the piano, that sounded very nice. I'm not sure how to classify this song, but whatever style it is, it sounds pretty good. Percussion was nice and clean sounding, but I don't think the claps added anything - they probably could have been left out. Overall, this is a very solid song. I think perhaps putting in an interlude from time to time to complement the main theme would have been beneficial - I'm really big on making sure songs have lots of variety in them. Regardless of that, this song is a good listen. Pretty effective technical work on this song. The samples sound pretty good - they probably could have sounded better as 16 bit samples, but I don't really expect that from songs of this one's time period. The crash cymbal that came in at pattern 12 was too loud, and I don't think that sample really fit in with the feel of the song. A cymbal with less "high end" on its sound would have worked better. The author didn't use any envelopes, but did take advantage of new note actions, which added some depth to the song.