Mute Guitar 1 (ES)
Lead Guitar 1 (N)
Wah Synth (R)
Tom Fill 1 (R)
Sweep Fifths (R)
Quick Hat (JB)
808 HiHat (N)
Orchestra Hit (R)
Major Saw Chord (R)
Minor Saw Chord (R)
Sustain Saw Chord (R)
Major 1 Chord (N)
Bass Drum 1 (R)
Snare 1 (R)
Jazz Bass (N)
Rumbled Bass (N)
Purple Bass (PM)
Lead Guitar 2 (N)
Crash Cymbal 1 (R)
---------------------------
Intro tune for :
"Face of the Dragon"
by Chromatic Dragon
(Alexander Brandon)
of Eclipse (c)1995 CD
Address:
76366.44_Compuserve.com
* read below for more ... *
This tune is about as
Shakka Khan as you can get,
but since we all love
cheesy demo tunes, we'll
just have to keep making
them, won't we? :)
The first in my so called
"Face of the Dragon"
music disk. The most
important thing about this
disk is that it is not
wholly original, hence my
name. Consider Necros of
KFMF as the Red Dragon.
Purple Motion as the Blue
Dragon, and Jan Hammer and
Jean-Michelle Jarre as the
Green and Black dragons.
I rip ideas from all these
incredible musicians, so I
hope they don't mind. We
all get our ideas from more
than one source. Anyway...
ONTO THE GREETZ!
Many thanks to Necros;
perhaps the best in the
industry, for his
instruments and tips on the
the Dissonance disk. Thanx.
One of the songs on this
disk is dedicated to ya:
Introspection 2. Hope you
like it.
Hi to Josh Rodman, who
egged me on when I thought
I couldn't hack a good solo
to save my life. When IS
that KLF party?
Yo to Lizard King... a
really cool 4 track master!
Robert Allen, half of whose
instruments appear on this
disk, and who should
release something and
become famous. :)
To Purple Motion, whose
song: Inside Out opened my
eyes to the reality that
one can make great sounding
MODs on an IBM PC.
John Bastianelli, who sent
me MEGS of techno and DX7
samples, from whence came
the inspiration for this
disk. Thanks a lot, dude.
The Good Stuff
License
Ratings
(9 / 10)
(Unrated)
People who like this tune
Your Comments
Internal Texts *
I can't help but love this track, not just because of its appearance in Candy Crisis, but because of how fundamentally it tastes like the 90s to me. The chewy synth bass, the timbre bends, the too-awesome-4-you guitar samples. My heart stops when the bass cuts out at 1:30.
Here lies objectivity. It was overrated anyway.