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Messages - Jay

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21
The same bassline from a pattern without the kickdrum (no "side-chaining"!), if that makes it more clear what I was doing:

B-4 17 .. .00
F#5 17 G9 .00
B-4 17 G9 .00
... .. .. D0F
B-4 17 G9 .00
... .. .. D0F
F#4 17 G9 .00
... .. .. D0F
B-4 17 G9 .00
... .. .. D0F
B-4 17 G9 .00
... .. .. D0F
F#4 17 G9 .00
... .. .. D0F
... .. .. .00
... .. .. .00

22
A trick I use to prevent clicks in basslines (especially DnB/Jungle type sub-basses!) is to never ever start or stop the sample if I can help it. You need a really seamless loop for this to work, pretty easy with sinusoids.

Essentially I start the note at the beginning of a sequence and porta to every subsequent note with GFF (or G9 in the volume column - sorry, IT syntax), while controlling the volume with fast slides to give the *illusion* of starting new notes.

Here's my bassline from "Free Motion Machine" - sample was an almost pure sine, looping endlessly

B-4 17 .. D08
F#5 17 G9 D80
B-4 17 G9 .00
... .. .. D0F
B-4 17 G9 D08
... .. .. D04
F#4 17 G9 D08
... .. .. .00
B-4 17 G9 D08
... .. .. D04
B-4 17 G9 .00
... .. .. D0F
F#4 17 G9 D08
... .. .. D80
... .. .. D0F
... .. .. .00

...and repeat.

Note that I was also ducking the bassline (side-chaining) with the kick+snare drums on every 4th tick.

(If you're not familiar with IT: G9 is the fastest possible porta-to-note in the volume column, D0x is vol. slide down, Dx0 is vol. slide up. Also, entering a note resets the volume to default so e.g. the 4th note down, B-4 17 G9 D08 starts off at 64 and begins to slide down by D08 immediately regardless of the fact that it was 0 by the end of the previous tick!

I really need two simultaneous effects for this... No idea if it is possible to translate to e.g. Milky!)

This is exactly how classic monosynths work; the waveform itself never "stops" or "starts" but the notes you hear are created by sliding the pitch (voltage) and applying a volume envelope. I'm just emulating those monosynths. :)

(BTW, in some of h0ffman's newer stuff he does similar things in *ProTracker* - he doesn't even have a *volume column!* Madness!)

23
Tracking / Re: What's your tracker / format of choice? And why?
« on: June 25, 2014, 03:17:12 »
...and after that wall of text, my biggest gripe about just about every tracker that isn't IT/Schism (or ST3) - (this applies to Buzz too although it's certainly not the worst offender) - the SAMPLE BROWSER.

IT lets you look through an entire sample library by moving around a full screen interface with the keyboard and *jamming notes with the 'piano' (Q2W3ER5) keys as you go along* as if they were already loaded into the module! This is the single most important tool I have in the early stages of module construction: being able to effortlessly try any sound I want and see how it might fit into the song. You can even jam while a pattern is playing!

I don't know why other trackers can't get this right... Either they make you click to play the note (at one pitch only), use the mouse to move around the sample library, cram the entire navigation process into a tiny window (FT2) or make you load every sample through a freaking *dialog box*... It's such a fundamental concept to tracking but nobody gets it right!

24
Tracking / Re: What's your tracker / format of choice? And why?
« on: June 25, 2014, 03:03:18 »
I migrated from Composer 669 & ST3 to IT to Buzz to Renoise to SunVox to Schism and finally back to IT. WTF? Story time:

I started in the early '90s with Adlib Visual Composer and KingMod, but never made anything noteworthy (heh) with them. The piano roll & musical staff interfaces didn't stick and I soon migrated to Composer 669 and ST3 in one or the other order. Eventually Impulse Tracker came along and I used that alongside ST3 for a while. (I only have one of my 669 modules anymore! It ... isn't brilliant. Or even finished. But I probably made about 5-6 in that program!)

Then there was a hiatus of ten years (to the day!) from 2001 to 2011 during which I didn't *finish* any tracks, but started quite a few in IT, Buzz, and Psycle. By 2011~2012 I was writing on Buzz almost exclusively (its IT-like controls helped), especially after the New Buzz versions came along. Everything from my "hiatus over!" debut of Proterozoic to Eddie at the Mental Institution was done in Buzz, controlling external synths via Polac's MIDI out.

I *love* Buzz and would still be using it to this day if it were multi-platform. But I became increasingly annoyed with having to keep a windows install around and went Linux-only on all my PCs by mid 2012. Wine can't run Buzz, but I'd started using Renoise and Schism by then. Renoise I got fairly good with but for some reason never completed a track. Schism was just like old times except for one fatal flaw: its MIDI *suuuuucks*. If it works at all it's so full of timing errors it's unusable. I've even tried it on a MacBook Pro with a USB-MIDI interface, aka *the* reference setup for amateur musicians these days, and it was still totally off.

(On that note, Linux's audio system also *suuuuucks* just as hard, at least on most mainstream distros. If you've ever tried to get the three-headed demon that is ALSA/JACK/PulseAudio to cooperate you know what I'm talking about.)

I discovered via DosBox that Impulse Tracker's MIDI is rock solid and amazing, but running it that way isn't satisfactory because DosBox doesn't emulate the AWE64/Interwave or MMX (needed for simultaneous samples+MIDI out and filters respectively) so you're stuck using it as a MIDI only tracker with the MPU-401 driver.

So... in 2013 I built a complete custom ISA rig just to run DOS & IT again. I tracked down an exceedingly rare (in New Zealand where I am now) GUS PnP Pro & AWE64 for it, ordered a SIMM adapter for the AWE off this Tripod website that hasn't been updated since before the Y2K bug was a thing, and put it all together. I'm happy to say it works *amazingly* well. I've got the tight, focused interface of IT in a single-tasking environment, with no creativity-sapping driver issues, and direct control over all my MIDI synths - it feels like I'm *playing* them instead of only willing them to do what I want! Finally!

So that's where I'm at now. I've also played with SunVox a bit (most notably making Sines of Madness for a compo early this year), which is a really great prog but just not my go-to for creating things.

BTW I still have "my" copy of Adlib Composer from all those years ago; it seems to have worked its way through decades of various archives and backups intact (unlike my 669 files.) It's on my DOS rig now and works just fine. I keep toying with the idea of finally learning it properly and doing something... ;) Or I'll make a tune or two in something even more obscure (AllSound Tracker, DigiTracker, Imago Orpheus??) But IT is just so comfortable and flows so well with my creative process it's hard to step away!

25
Tracking / Re: Why use pattern breaks in Fast/Impulse Tracker?
« on: June 24, 2014, 07:15:08 »
Possibly just tradition/habit too, if the author migrated from Protracker and has 'always done it that way'...

I still use S8x (ST3) pans in Impulse tracker sometimes even though there are at least three better ways to pan an instrument. (Pan command in the volume column, 8xx, panning envelope.) Sometimes it's just easy. :D

26
Tracking / Re: A tracker that uses note system?
« on: June 24, 2014, 07:05:12 »
Wow, blast from the past! I guess I only ever looked for a screenshot and not the actual prog.

This thing isn't nearly as bad as I thought it was - I guess I just sucked at composing at the time (no surprise there!) Still pretty clunky though. It's a pretty decent program that answers a question no one asked!

I'm half tempted to upload it to Pouet just to be obnoxious.

27
Tracking / Re: A tracker that uses note system?
« on: June 21, 2014, 19:30:04 »
I've got to bump this thread even though it's a few months old. The first "tracker" I ever used was something called "KingMod" which was exactly that - a mod editor using a musical score instead of tracking. It was apparently so unloved that I can't even find a screenshot of it now. I think I made one god-awful song on it and then moved on to ST3 or Composer 669, whichever I found next. I would have been around 13~14 at the time so I must have gotten it from a BBS.

Good luck finding a copy these days though. If you do track it down post back here, I wanna see how terrible it was. :)

28
Help Support Topics Archive / Re: Change a filename
« on: June 17, 2014, 11:30:56 »
Yeah, I've got it disabled for myself but I was thinking along the lines of other people who may be browsing my modules wondering wtf I wrote. Renaming it to jh_chaos_ex.s3m would be awesome (15 years after the fact!)

(BTW had no idea there was such a backstory behind that filter! Ouch.)

29
Help Support Topics Archive / Change a filename
« on: June 17, 2014, 10:56:48 »
There's an old, old, OOOOOLD s3m of mine on here from 1999(!) by the name of "The Chaos Experiment" (this one). Unfortunately because the filename jh_chaosex.s3m incorporates the letters -s-e-x consecutively (really?!), the archive software thinks I was trying for a dirty title and asterixes it out. Obviously that was never the intent!

Is it possible to change this to maybe jh_chaos_ex.s3m without that being an enormous amount of work? Or just disable the asterix filter for it?

Thanks.

30
Look what I made! / Re: Advanced Impulse Tracking w/hardware
« on: June 15, 2014, 12:04:52 »
Thanks! And thanks for the comments/rating on the main page too.

Yeah, I wasn't sure about the Waldorf sample at first (it was supposed to be a placeholder really) but after a while it grew on me, so I stuck with it. I might change it out for one of my own synths in a future version. :) (BTW 2MB compolimit was kicking my ass through the whole composition!)

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