The Impenetrable (impenetr-ev.xm)

 This is still not the artist's edition, but quite close to it. The alternative artist name in the file is a synonym, not the exact one, as too much of concrete facts shouldn't be revealed at once. The ending melodies were actually written after the date pointing to the finishing of the certain main part. Maybe that'll be changed if/when should avail an access to a certain part of the internal texts within archived files. To an individual who thinks a copyright to a sound that has already existed tens of thousands of years can be property of a mortal one could say that not even in thousand years will such one be able to really take advantage of it in the sane, overall way. To avoid humiliating oneself... This wasn't supposed to sound like metal for physically bound, but more like metal for those other kind of mentally bound. Is it allowed to use one's imagination to make it sound more rough when needed. The last but not the least, one certain instrument used in this track is called xylophone, perhaps a wooden one... The same sample is heard from an artist called Skaven, for example. The first five notes of the chord G was also a certain kind of influence while creating this piece, how tough it was to avoid applying certain intervals and figures... However, the notes mentioned doesn't inform the perhaps earliest example of a composition consisting particularly of that certain kind of interval figures is Vivaldi's Four Seasons, already the first main theme. In other words, maybe the altering would have been called 'Two and a Half Seasons' if certain elements would have been erased. - WandererOfDeis